Film négatif couleur Kodak Eastman Gold 200 (pellicule 120)

Shot my first roll of this in a borrowed medium format camera and the colors came back warm without looking fake. The 200 speed handled overcast afternoon light better than I expected. Loading it onto the reel in the dark took a couple tries, but that's on me.

The grain on this 200 speed film is so fine it almost looks like a digital file until you zoom in. I ran a roll through my Yashica in late afternoon light and the warm skin tones came out gorgeous without any editing. Loading it was a breeze too, no fuss with the paper backing.

Shooting this in 120 format gives such lovely color separation on medium format, and the exposure latitude handled my slightly off-metered shots without issue. It's become my go-to everyday stock for outdoor portraits, the price is right for the quality you get.